Romolo + Giuly – The Italian world war
The idea behind the series is to provide a glimpse of life in Italy today as it’s never been told before. We will have four narrative lines (Milan, Naples, South Rome and North Rome) in eight 30-minute episodes. There will be satire on the politics and way of life of our society, fantastical and dystopian inserts which will leave viewers open-mouthed, a cocaine-fuelled puppet at the helm of a secret society, two young people fighting for a love affair that seems truly impossible, and much more besides.
Romolo+Giuly- The Italian World War will be a brilliant comedy with a pop and visual style. The cinematographic genres have been adopted and mixed together according to the narrative timeframes. There are many cinematographic references which I challenge viewers to identify. In order to portray such a varied, multifaceted universe, I have opted for a stand-alone visual look and directing approach for each geographical location I was filming. I wanted the spectator to make an instant connection between each narrative and a specific type of directing and photography.
As a result, the loud but genuine South Rome will have a warmer photography, with the camera on the shoulder and unpolished movements, whilst the more sensible, formal North Rome will feature a colder light, and slicker machine movements. The aristocratic, Bourbonic Naples, on the other hand, will have carefully contrived, elegant dolly shots and wide-angle shots to portray the majestic interiors of Don Alfonso’s villa, and a production approach which, on occasion, is deliberately over-the-top.
The series is enhanced by the performance and technique of high-profile actors such as Fortunato Cerlino, Alessandro D’Ambrosi, Beatrice Arnera, Nunzia Schiano, Michela Andreozzi, Lidia Vitale, Federico Pacifici, Massimo Ciavarro, Giorgio Mastrota, Giorgio Panariello and Umberto Smaila, to name but a few. I uncovered an unexpected comic verve in some of them, who are perhaps better known for more dramatic roles. All demonstrated great flexibility, as well as providing countless useful tips, allowing me to add humorous timing and quips which cropped up on set to the series.
Michele Bertini Malgarini